The process of "Space Activation"

As a Visionary Space Activator, I interpret the elements of any space through my vibrant, dancing body. Every space offers a unique cocktail of textures, shapes, sounds, smells, colors, air quality, history, meaning, community purpose, and much more. The space in which I dance interacts with my physical/ emotional/ spiritual/ creative body in different ways, and this union of body and space births a new dance each time.

I am interested in experiencing movements that I have created for “Adelaide Ocean Lullaby”, a segment of The Mother Project dance journey, in all types of spaces throughout Trinidad and Tobago. My great-great grandmother Adelaide Fisher Brown was from Jamaica, and immigrated to the United States after falling in love with a fisherman. I weave what little facts I know about Adelaide’s life into an intuitive movement process that continually evolves within each space I encounter.

When I dance, I experiment with many components of the space, incorporating the dip of the hills in Santa Margarita, the crash of the sunset tide at Las Cuevas against my body, the urgent siren pleading its way through Friday afternoon rush hour on Western Main Road. It is within the wondrous laboratory of organic, unscripted (oftentimes public) spaces that I feel most free to delve into the choreographic possibilities of The Mother Project. I tune into the spatial sensitivities of the moment and discover new patterns and sensations of movement along the way. While in this increased state of creative openness, I ponder the unknowns of Adelaide’s story in my body, filling in the gaps with a dance that expresses my intuitive process of ancient memories, emotions, language, and movement.

The dance is still young in my body, eager to bloom amongst the many frequencies of Trinidad and Tobago’s ripe and abundant spaces.



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